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	<title>Comments on: Music and Lit of a Sunday</title>
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	<description>Facts, Thoughts, and Commentary</description>
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		<title>By: RW</title>
		<link>http://jaredbernsteinblog.com/music-and-lit-of-a-sunday/#comment-92532</link>
		<dc:creator>RW</dc:creator>
		<pubDate>Mon, 16 Jan 2012 15:50:24 +0000</pubDate>
		<guid isPermaLink="false">http://jaredbernsteinblog.com/?p=3613#comment-92532</guid>
		<description><![CDATA[Paul Butterfield occasionally used a chromatic harmonica but probably used his usual (diatonic) Hoener Marine on Fathers and Sons. It was Jeff Carp playing chromatic harp on &quot;All Aboard,&quot; the only tune on the record he appears in according to the album credits.

NB: Muddy Waters &#039;comeback&#039; album, Hard Again, is also a masterpiece but the first Paul Butterfield Blues Band album altered my musical universe and I can still listen to it any time, anywhere with vast pleasure.]]></description>
		<content:encoded><![CDATA[<p>Paul Butterfield occasionally used a chromatic harmonica but probably used his usual (diatonic) Hoener Marine on Fathers and Sons. It was Jeff Carp playing chromatic harp on &#8220;All Aboard,&#8221; the only tune on the record he appears in according to the album credits.</p>
<p>NB: Muddy Waters &#8216;comeback&#8217; album, Hard Again, is also a masterpiece but the first Paul Butterfield Blues Band album altered my musical universe and I can still listen to it any time, anywhere with vast pleasure.</p>
]]></content:encoded>
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		<title>By: Jared Bernstein</title>
		<link>http://jaredbernsteinblog.com/music-and-lit-of-a-sunday/#comment-92151</link>
		<dc:creator>Jared Bernstein</dc:creator>
		<pubDate>Mon, 16 Jan 2012 03:17:06 +0000</pubDate>
		<guid isPermaLink="false">http://jaredbernsteinblog.com/?p=3613#comment-92151</guid>
		<description><![CDATA[Just thought it was interesting for them both to show up in the same post--Chicago blues giant; Yiddish novelist--the connection being that they&#039;ve both got deep reservoirs of soul.]]></description>
		<content:encoded><![CDATA[<p>Just thought it was interesting for them both to show up in the same post&#8211;Chicago blues giant; Yiddish novelist&#8211;the connection being that they&#8217;ve both got deep reservoirs of soul.</p>
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		<title>By: Jean</title>
		<link>http://jaredbernsteinblog.com/music-and-lit-of-a-sunday/#comment-92079</link>
		<dc:creator>Jean</dc:creator>
		<pubDate>Mon, 16 Jan 2012 01:50:35 +0000</pubDate>
		<guid isPermaLink="false">http://jaredbernsteinblog.com/?p=3613#comment-92079</guid>
		<description><![CDATA[A chromatic harmonica has all 12 tones instead of just those tones in a particular key.  So it has C-C#-D-Eb-E-F-F#-G-Ab-A-Bb-B-C, instead of C-D-E-F-G-A-B-C. [In other words, both the white and black keys on the piano, instead of just the white keys.]  To play the blues on a C harmonica, you play in the key of G [mixolydian].

But I don&#039;t get the Isaac Singer/Muddy Waters connection?]]></description>
		<content:encoded><![CDATA[<p>A chromatic harmonica has all 12 tones instead of just those tones in a particular key.  So it has C-C#-D-Eb-E-F-F#-G-Ab-A-Bb-B-C, instead of C-D-E-F-G-A-B-C. [In other words, both the white and black keys on the piano, instead of just the white keys.]  To play the blues on a C harmonica, you play in the key of G [mixolydian].</p>
<p>But I don&#8217;t get the Isaac Singer/Muddy Waters connection?</p>
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